
Frequently Asked Questions
Q: Can I submit my images in a form other
than as jpegs on cd?
A: No. Images can originate in any format but must be submitted digitally
on cd. No e-mail submission of images is accepted.
Q: Can I submit an entry in which one person
is both the writer and the photographer?
A: No. The collaboration must involve at least two people.
Q: Can I submit an entry in which
there is one photographer and two writers [or vice versa]?
A: Yes. Total sample length [ten pages of writing, twenty slides]
should remain the same.
Q: Can I include in my budget the
cost of publishing the work?
A: No. The $20,000 is to be spent on materials, traveling, etc. — everything necessary to produce the work.
Q: Can I submit more than one entry,
or be the photographer [or writer] on more than one project?
A: Yes. All applications must be complete for all parts [resumes,
etc.].
Q: Must the $20,000 be spent in
the year following award?
A: Yes. The fieldwork must be done in that year. The prizewinners'
work will be featured in Document
and on the CDS Web site.
Q: Must the writer and photographer
be U.S. citizens?
A: No. The applicants can be of any nationality (however the writing
sample must be in English).
Q: If applicants live abroad and don't have a U.S. bank account, is it possible to pay the application fee by some other method?
A: Yes. The easiest way to pay the fee is with a credit card. Please include card information with your application; we'll need: type of card, card number, expiration date, name as it appears on card, and current billing address (include phone number). (We're sorry, but we can't accept online payments.)
GALLERY
Hand & Eye:
Fifteen Years of the Dorothea Lange–Paul Taylor Prize: view
photographs and writing from ten past prizewinning projects
banner image:
The Mothers of Srebrenica collating photographs, Tuzla, Bosnia, 2006. This group of women is working to collect, copy, and file photographs of the estimated 8,000 men murdered in Srebrenica in 1995. The Mothers have been one of the most tenacious groups in seeking justice and remembrance for their family members, and photography plays a crucial role in their work. Photograph by Roger LeMoyne, prizewinner in 2007.
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