
Application
Materials
Download application (100 kb)
Applications
Images can originate in any format, but must be submitted digitally
on cd. (No e-mail submission of images is accepted.) All written
materials should be compiled in the order requested below on white
8 1/2 x 11 paper with the writer's and photographer's last names
at the top of each page. The writing sample should be double-spaced,
while all other written materials should be single-spaced.
CDS has a small staff, so it is very important that you adhere to
these guidelines. Do not staple your materials; use paperclips only. And please, no folders, plastic covers, or other binding for written
materials. Books, prints, newspaper clippings, or any other additional
materials will not be seen by the panel. Any additional material
will be donated to the CDS library.
As part of our policy, we do not review or comment on applications,
and we do not release prizewinning applications from past years.
Submissions should include:
• Application form
• Self-addressed, stamped postcard for notification of receipt
of materials by CDS
• Application fee of $35
• One-page proposal letter describing the project and outlining
work planned
• One-page statement about the collaboration of the writer
and the photographer. This statement should consider how the writer
and photographer plan to work together on a joint project. Consider
also in the statement the relationship of the project's photographs
and words. John Szarkowski observed that in Lange and Taylor's work,
"the words and images . . . supplement[ed], [did] not repeat
. . . each maintained its own integrity."
• Writer's ten-page sample (double-spaced) on the proposed
topic and in the style intended for project. If no work at all has
been done on proposed topic, the writer should provide a sample
demonstrating how the subject will be developed and written in the
form and style of the final project (i.e., edited oral history,
descriptive narrative, poetry, etc.).
• A brief
curriculum vitae or résumé, no longer than five pages,
from each applicant
• Budget, no longer than one page, outlining how the prize
money would be spent. This may include stipends for project personnel,
supplies and support materials, travel costs, and other expenses
related to fieldwork.
• Twenty images from photographer demonstrating the ability
to build a body of work. Images should be in jpeg format, saved
at the highest jpeg setting, and sized at 72 dpi with the longest side of the image set at 21 inches. Each jpeg should be titled with
the photographer's last name, photographer's first name (abbreviated
as needed), and image number, for example: doe_john_01.jpg. Color
images should be in RGB Color mode. Compact disc and case must be
clearly labeled with the photographer's full name.
• Caption list for photographs
• Self-addressed, stamped 9 x 12 envelope for return of materials
(please indicate on envelope which materials you would like returned,
and be sure to include adequate postage). Without an SASE the Center
for Documentary Studies will assume the right to retain or dispose
of all materials as it chooses.
Enclose all materials in a 9 x 12 envelope and send to:
Dorothea Lange–Paul Taylor Prize Committee
Center for Documentary Studies
Duke University
1317 W. Pettigrew Street
Durham, NC 27705
Deadline
All required materials must be submitted under
one cover during the month of January
and postmarked no later than January 31, 2008.
GALLERY
Hand &
Eye: Fifteen Years of the Dorothea Lange–Paul Taylor Prize:
view photographs and writing from ten past
prizewinning projects
banner image:
The Mothers of Srebrenica collating photographs, Tuzla, Bosnia, 2006. This group of women is working to collect, copy, and file photographs of the estimated 8,000 men murdered in Srebrenica in 1995. The Mothers have been one of the most tenacious groups in seeking justice and remembrance for their family members, and photography plays a crucial role in their work. Photograph by Roger LeMoyne, prizewinner in 2007.
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